Down the Drain with Wikileaks

Whistleblowing is good when actual wrong has been done, but governments and businesses cannot function without privacy any more than individuals or families can. When people don't feel comfortable talking off the record, or when they fear they might be endangered by it, they stop talking, and mutual misunderstanding and suspicion ensue.

Take the revelation that Hillary Clinton had inquired of her aides whether Christina Fernandez was on medication and if so, how the meds affected her decision-making. It's a perfectly legitimate question for a secretary of state to ask before meeting the president of a foreign country. Yet Ms. Fernandez is hardly likely to be pleased to learn that it was asked, and this makes relations between Argentina and the US ever so slightly more difficult. Much worse would be the consequences of harsh words used by US diplomats (in a confidential discussion) about the chief Chinese representative at the Six-Party Talks over North Korea, and the revelation that some American diplomats think an important Turkish minister is a bit of a closet Islamic extremist. Publicizing such matters makes the going along the rough edges of international relations just that much rougher--and makes the world a slightly more dangerous place.

Back on the home front, what good purpose is served by making public the knowledge that some American diplomats in Colombo, at least, believe that President Rajapakse and his military commanders are guilty of war crimes? It is not as if the news is going to change the views people already hold. It may briefly put fresh heart into human-rights campaigners and civil-society activists, but its practical consequences are all negative: they consist mainly of increased friction, distrust and resentment between Sri Lanka and the US, and between Sri Lanka and the west in general. It will make working towards final reconciliation and accountability harder than ever. That benefits nobody.

'Freedom of information' also means freedom for information to flow. By turning itself into an obstacle to its free passage in this way, Wikileaks has made the world a shadier, more secretive place. This is nothing less than a terrorist attack on civilization. It will have a far greater impact, in the long term, than 9/11 ever did or could. And it is not just the West that is the victim here. It is everybody.

Solar: Not Stellar

Ian McEwan is, in one sense at least, the best prose craftsman now working in English. That sense is finish; his writing is like a perfect cabuchon-cut jewel, slick and flawless; or like a perfectly aged brandy, so smooth you hardly feel it as it goes down.

Unfortunately, I find that the impression it leaves behind, at least with me, is also as ephemeral as the effect of fine brandy: a slight hangover the day after, and then gone for ever. I've enjoyed nearly every book of his I've read, as long as I was reading it. A month after I'd finished it, though, I could remember little of plot, character or indeed, anything else. Surely this can't be good?

Solar, however, is a book I will remember, because it is the first time Ian McEwan has completely failed with me. I think I understand the trick he's trying to pull off here: create an unsympathetic character, one deserving of nothing better than pity or contempt, and try to interest the reader in him, even feel some sympathy for him in spite of his faults. It doesn't work. Michael Beard, the Nobel-prizewinning protagonist of Solar, is a gluttonous, womanizing slob to whom essentially unbelievable things happen, and not very interestingly. We are privy to his thoughts most of the time, but these neither bring us any insight into his creepiness that would help us understand him and possibly empathize, nor do they seem to me like the workings of the mind of a physicist--unless physicists' minds work just the same way as everyone else's, which may be the case most of the time but surely not all of it. The fact is, Michael Beard doesn't seem very intelligent at all. Is that McEwan's point, then? That Nobel-prizewinning physicists are just the same as all of us, only intermittently bright and otherwise slaves to their passions and habits, not very interesting apart from their work? We knew the first already--it's a truism of the most banal sort--and as for the second, it's a lie. People like Einstein, Dirac, Feynman and Bohm were far from uninteresting as human beings. They were all, in their different ways, a little bit peculiar. There is nothing in the least peculiar about McEwan's physicist creation Michael Beard.

Somewhat to my astonishment, I actually found myself speed-reading the last third of Solar, just to see whether anything worthwhile would happen in the end (nothing did). Speed-reading Ian McEwan! Has it come to this?

Too Many Cameras

I never carry a camera. I used to boast that I didn’t need to, because whenever I was somewhere a picture needed to be taken, there was always a competent photographer at my side to take it. I was married to a first-class amateur for seven years, and a lot of my sightseeing in the world’s picturesque and interesting places has been in professional association with the incomparable Dominic Sansoni. On wilderness outings in Sri Lanka, too, I have always been able to leave the photo-catching in the practised, unobtrusive hands of others. This has left me free to do what is incumbent on me as a writer: experience the moment with all five of my senses, not just one, recording it holistically and subjectively rather than objectively and in detail – later to write about it and perhaps, if the Muse wills, bring to it some perspective or insight that could never be caught on camera.

Real photographers can't spell

In those days, I was always happy to have a photographer by my side. To state the obvious, photographs are useful – for recording events of significance, briefly returning to life the revenants of fond or fervent emotion, acting as a spur or corrective to memory, or conclusively settling an argument. Such things are, or can be, important. But this, of course, was in the days before PhotoShop. Nowadays, photographs, and by extension photographers, cannot be trusted. It may be argued that this unreliability, never perfect in the days of film no matter how the retouchers laboured, may at last have brought the photographer’s art to maturity, for the mission of all artists is to tell the truth by lying. However, it isn’t the new untrustworthiness of photographs that has brought me to resent photography and abhor photographers in general (though there are a few, including the aforementioned, whom I still respect and admire). No, it was the thing which made the trompe l’oeil of PhotoShop possible in the first place, and turned the act of taking a photograph, formerly a considered action requiring time and thought, into a perverse reflex, a nervous tic, a pathological symptom. It was the replacement of film by digital image capture as a recording medium.

Yes, I know you can do wonderful things with digital cameras. The pictures they take are now almost as good as the ones taken by film cameras – better, for all I know, since technology marches on and I have had better things to do than pay attention. Moreover, these pictures, being recorded merely as bits of information, can be stored, transferred, processed, manipulated and reproduced in their millions with the greatest of ease. The revolution has been total. Hardly anyone, barring a few specialists, purists and fanatics, uses film nowadays. An entire industry – photo processing and printing – has crumbled to dust, and the shops (‘studios’ in Ceylon patois) that used to engage in it have vanished from the high streets of the world. Not that I miss them, particularly; I don’t suppose anyone does, apart from the poor saps who made a living out of them. It isn’t nostalgia that makes me mourn the disappearance of film, it’s the offensive ubiquity of photography and photographers that digital technology has made possible. When Sting made that comment about ‘too many cameras and not enough food’ thirty years ago in Driven to Tears, he was really complaining about something else; digital photography was in its infancy back then. But the remark acquired greater pungency after its advent: there are many, many more cameras today than there were in 1980, and as for the food – we’re it, and they’re fighting over us.

Kalpitiya sunset by reformed former
shutterbug. Yes, it's a great shot.

I remember vividly the day I came to hate digital cameras. It was in Kalpitiya, where I had just arrived at the end of a long and fatiguing day’s journey with a group of friends. We were in two cars; I was driving one, and was first to arrive at our destination, a big bungalow overlooking the lagoon. It was a few minutes before sunset, and as I stepped out of the car, the sight took my breath away. Long shadows advanced towards me across a sloping garden overgrown with thigh-high, shimmering illuk grass; at the foot of the garden, beyond a tangled hedge of bat-emitting mangroves, Kalpitiya lagoon reflected the fiery orange-gold effulgence of the sky. The sun was a few degrees above the horizon. My travelling companion had disappeared into the house to make certain arrangements, so I was left to myself to enjoy this feast of a sunset. But then, as the sun dipped lower and blushed redder, I heard the sound of our second vehicle approaching. And in a minute, there they were, my well-loved friends, falling out of the vehicle in their eagerness to ‘catch’ – appropriate word! – the sunset: to capture it with their lenses and imprison it in the lightless virtual dungeons of their memory chips, to kidnap it from me and all the rest of the living world that stood or crouched or lay or flew about us in that golden moment, to ruin it for all time with their clacking shutters, their noisy blundering back and forth across my field of view to find the best ‘angle’, their stagy exclamations and pose-striking. All I can say is, I hope they got good pictures, because all that was left of that particular sunset, at that particular place and time, was their bloody pictures. As if a mere picture could ever compare with a real sunset.

In the days of film, the chances of this kind of thing happening to you would have been low, unless you happened to be sharing some well-trodden beauty spot with a pack of Japanese tourists. Film cost money, you see, and you didn’t want to waste it. You took thought before you took a photograph. With the advent of digital image capture, this economic disincentive has vanished. It now costs as much to take a thousand photos as it does to take one, so people do. Everybody is doing it. And – let’s be fair – everybody is probably a slightly better photographer as a result, because practice always makes for improvement, even if it does not always make perfect. But this is of no consequence, because the high tide that lifts all boats also lifts the bar, so to speak, and no relative eminence is gained by anybody. Instead, what has occurred is a kind of creative inflation, in which the currency of the image has become devalued.

A better photographer than he looks,
not that he looks bad

In the years since that distressing event at Kalpitiya, everyone, it seems to me, has become a photographer. Nearly every young person with creative pretensions carries a camera these days, and many of them plan, sooner or later, to make a living out of the pictures it takes. The poor fools have forgotten the basic economic law of supply and demand. When taking pictures is as easy as raising a camera to your snout and pushing a button, pictures become as common as dirt, and about as valuable. This is something I can vouch for at first hand, because I work in a media-related business that uses both stock and commissioned photography. We simply aren’t willing to pay as much as we used to for good images, and sometimes we aren’t willing to pay at all, because there’s so much usable stuff available out there for nothing. The glut of photographs, of available photography, is putting the professional photographer out of business. Why bother with them and their inconvenient, expensive demands, when photography has become commoditized?

As for me, I remain a lover of good photographs, which I believe have nothing to do with the subject of the picture and everything to do with the person taking them. There will always be those who bring something unique and worth having to the art of photography. The present ubiquity of shutterbuggers will not significantly increase their number, however. Nature, or providence, or chance or what have you, doles out talent with a parsimonious hand. I know a handful of young photographers with genuine talent; one of them was among the posse who so annoyed me at Kalpitiya (and has since returned to that location with exquisite results), another is this guy. Both of them are currently engaged in discovering how hard it is to make any kind of living at photography nowadays, even when you have genuine ability – and neither of them seems to have yet mastered the essential trick of getting out of the way of their own pictures. Still, they’re well ahead of the pack. My advice to them is: go out and murder as many shutterbuggers as possible. In doing so you will revive the market for quality professional photography, and you will also make one cantankerous old scribbler very, very happy.

The South America Programme

We’ll get to the Great Novels another day. What I have to offer you today is a voyage to South America in the form of three favourite works of non-fiction. If you will read them in succession, and in chronological order, I think I can promise you a fascinating and remarkably affecting experience.

Galapagos finches' heads
 drawn by Charles Darwin

The first of these is The Voyage of the Beagle by Charles Darwin. It is a scientific traveller’s diary, but there is nothing dry and academic about it; it is so rich and bursting with life one almost disbelieves that it flowed from the same hand which wrote On the Origin of Species and a voluminous treatise on earthworms. Also unexpected is Darwin’s youthful boldness and courage, setting out through unknown and dangerous country with only a few matelots for company, often trusting his life to people he had met only a few days earlier. Highlights of the book include Darwin’s passionately-expressed antipathy to slavery, of which he adverts at length after witnessing the institution at first hand in the Canary Islands and Brazil; an account of the Beagle crew’s encounters with the natives of Tierra del Fuego, human beings so primitive they could barely be said to have entered the Stone Age, and the mutual culture shock resulting from them; and an eyewitness account of the earthquake that destroyed the city of Conçepcion and altered the landscape of Chile. There are also his Galapagos explorations and discoveries, some interesting social commentary about Australians, and much more besides, but it is the South American sections of the book that make the best reading. 

There is a further treat in store for those who know a little about geology: Darwin’s Lyellian speculations are hilarious.

The second book is a curiosity: Far Away and Long Ago by W.H. Hudson tells the story of the author’s life from infancy to manhood among the pampas of Argentina, and later (and tragically) in its cities. Hudson was a kind of nature-mystic, though he didn’t write of his experiences in specifically spiritual terms—he just thought that was the way everyone perceived the world, that it was normal. And reading him, you can almost believe that once upon a time, out on the plains of Africa before sowing and reaping were invented, it was normal. People talk about ‘luminous prose’, but Hudson’s writing seems to describe a landscape that is itself luminous, that does not merely reflect light from the sun and moon but glows with its own. But in truth this light is also a reflection; it’s soul-light, and Hudson himself is the source. Far Away and Long Ago is no namby-pamby pastoral, though; some of the scenes are bloody, violent and terrifying, and towards the end of the book the author’s struggles to make sense of human society (of which his childhood on the pampas has taught him nothing) are heart-rending. This is a very strange book, written by a very odd man, that made its place in English literature purely on its merits and despite being unlike anything else that had ever been written. John Galsworthy described it as ‘a vision of natural beauty and of human life as it might be, quickened and sweetened by the sun and the wind and the rain, and by fellowship with all other forms of life.’ He called its author ‘a very great writer... the most valuable our age has possessed.’

Bruce Chatwin, taking
a hike as usual

My final recommendation is Bruce Chatwin’s In Patagonia. Chatwin, a maverick writer of novels and travel books, was one of the coming men in English literature during the 1980s; sadly, he died of AIDS in 1989. His literary speciality was faraway places and states of mind, which he could bring to life as few other authors could. He was a great walker, and many of his books, most notably Songlines, came out of that. In Patagonia, an earlier work, did too. The thing about Chatwin’s journeys is that they are internal as well as external (actually, all journeys are), and he writes lucidly and convincingly about both. In Patagonia offers some incredible landscapes, people and stories both contemporary and historical, and by the end of it, you feel as if you truly have been Bruce Chatwin’s walking companion through these wild, windswept, extremaduran places, and have come, on the journey, to know him almost as well as you know yourself.

Of course, it is all illusion; Chatwin was a complex and very urbane man who lived his life in compartments and enjoyed generating an air of mystery. And in fact, he seems to have had much to hide. Even his long hikes have a certain improbability about them, as he mysteriously appears on the road to so some Patagonian village or Aboriginal settlement in Australia as though beamed down from a Culture starship, walks up to the first front door he sees and knocks on it. As Paul Theroux, another great traveller, complained, ‘life was never so neat as Bruce made out.’ But that goes back to my earlier remarks about the habitual untruthfulness of fictioneers. You should never really trust us, however convincing our stories may be. In fact, the more convincing the story, the less you ought to believe it.

Taken together, these three books make up my basic literary geography of South America. It is a mystic land, but in a Spinozan kind of way its numinosity inheres in the material reality of it, its rocks and hills, its plains and forests, its plants and animals and the seasons that govern their lives. It possesses the inhabitants of the land and makes them one with it. And it is a country of the mind, not of the earth. Whether or not the real South America resembles it I have not the slightest idea, and perhaps I will never find out. But this does not really matter. Imaginary countries are the most hospitable of all.

The Ground Beneath Her Feet

As someone whose background has a few things in common with Salman Rushdie's--South Asian, heavily Westernized, bluntly secular, roughly similar in age and both writers by profession--I'm ambivalent about the man. Some of what seem like virtues to his Western critics look like faults or cheap tricks to me, and vice versa.

I am also a lifelong lover of rock music, so I was suspicious of this book in particular. The Ground Beneath Her Feet is the story of the rise and fall of the two greatest rock stars who never lived, and of their fated, fatal love for each other. High-culture attempts to get under the skin of rock are rarely, if ever, successful, being usually either blandly patronizing or quivering with embarrassing wannabe enthusiasm. Though he avoids both these awful extremes, it turns out that Rushdie is no better at writing about rock than any other grown-up author or critic. His vision of the Rock Life is pretty tabloid, and the song lyrics he comes up with for his fictional band, VTO, are beyond dire. If you're a rock fan who doesn't read much high-class fiction, and you're attracted to this book because of its rock subject matter, my advice is: forget it.

Worse, the damn' thing is science fiction, and a stock example of a stock sub-genre at that: the alternative history novel. I guess Rushdie figured that two Bombay Indians could never become the world's biggest rock stars in this universe, so he created a whole new one for them.

Third, the book starts really, really badly. Rushdie's prose in these opening pages is overburdened and clumsy, and the metaphoric imagery that is so vital to the magical-realist project is in some cases more worthy of Rushdie's imitators than of the man himself. There were times when I was reminded of...Ashok Ferry. No, really. But thank goodness, the style settles down after the first forty pages or so, and after that the book becomes a real pleasure to read. The pleasure is alloyed, however, by further, though occasional lapses into, well, if not quite Ferryism, at least Arundhati Royism. Salman, that's so not a good look...

In the end, however, I found The Ground Beneath Her Feet to be a damn good read, and it made me think. It is one of the most philosophical of Rushdie's novels, and its discursive first-person narrator often digresses to share with the reader his opinions on this and that; and I found these philosophical interludes and observations on life amusing, enjoyable and very much to the point; there were several times when I caught myself reading with a nodding head and a rueful grin on my face. This is not how Salman Rushdie usually takes me.

The book sort of falls apart at the end. Its narrative arc is that of the myth of Orpheus and Eurydice, and as the narrator informs us fairly early on in the proceedings, that myth makes for lousy showbusiness because it has an unhappy ending--Orpheus's attempted rescue of his lover from Hades fails; he lives out the remainder of his days disconsolate and is ultimately torn to pieces by a group of maenads, crazed female devotees of the god Dionysius. This dog of an ending clearly had Rushdie seriously worried while he was writing the TGBHF--so worried he actually shares the problem with the reader a couple of times, maybe so as to prepare him for disappointment. In the end he contrives a happy ending of sorts without straying too far from the narrative arc of the original Orpheus legend, but only at the cost of having to introduce a new major character to us in the dying chapters of the book. And that is all that I'm going to say about that little trick.

Despite its faults, I really enjoyed reading this book. Very few people in the world can write so well--on his day--as Salman Rushdie, and well-made prose is always, I find, and regardless of content, a joy to read.

The End of History

From beneath my office window a ragged chant rises from throats already hoarse at half past nine in the morning. It is accompanied by a lurching dot-and-carry drumbeat. 
        All along Parliament Road from Alexandra Place to Pelawatte, the rent-a-crowds are gathering. The Transport Board buses that brought them fill every lay-by, lane and empty roadside lot. Expensively-dressed thugs and thuggish-looking cops are walking busily up and down, talking self-importantly on mobile phones and walkie-talkies. In spite of the cops, the traffic is an unholy mess. The crowds have taken over the streets.

       No-one dares oppose them, for they are here at the behest, and under the protection, of our new Master. They carry his smirking face placarded on a stick as an amulet, and they wear blue caps, red shirts and other tokens of their loyalty. Most have bunked off from their government jobs to be here and their faces are alight with the joy of sanctioned truancy. Many are already drunk – foam-flecked, sweat-drenched and drooling, primed for the day’s inevitable violence. Here and there a politician walks among the masses, distinguishable from them by the pristine whiteness of his raiment and the bloated lividity of his face, toward which other faces turn as eager sunflowers toward a ashen sun.

       They are here to demonstrate in favour of tyranny, to show the world how eager Sri Lankans are to give up their freedoms and constitutional rights. They have not come here of their own initiative, of course; they were brought. And bought – some for no more than the price of a lunch-packet and half a bottle of arrack. They sell their freedom cheap, these Sri Lankans. But then, their fathers and grandfathers got it cheap, didn’t they, back when Sri Lanka didn’t exist and the British, exhausted by the Second World War and the trials of Indian independence, were only too eager to hand back the Crown Colony of Ceylon to a people who weren’t ready to receive it and, for the most part, didn’t really want it anyway.

       The rest, as they say, is history.

       But history ends today.

The Soon-to-Be Dead Poets' Society

So Pa threw a kind of poetry party for his brother Ra, who’s back home for a visit after more years than anybody can count, and the above is what he called it. Ra protests he isn’t a poet, though I suspect otherwise. In the grand scheme of things this may be important, but on the day it didn’t seem to matter because there was, if anything, a superfluity of poets foregathered to read their own stuff and listen to others’. I was there too, with a poem of my own, but we’ll come to that later.

       The setup was pretty close to that of the Open Mic sessions organized by Jehan, Indi and Tracy in 2008 and 2009: people told their friends, who told Facebook, and everyone who had a poem to read or just wanted to listen turned up at the venue. There were microphones and a voice PA and everyone took turns.

       Most of it was pretty bad, of course. This kind of amateur poetry is always bad in the same way, displaying the same faults no matter who has written it. I suppose you need talent to make even your blunders original. Real poets write about everything under the sun, but bad amateur poets always go for the same clumsy, ostentatiously high-minded cant. If it isn’t a meditation on life or love or mortality we're subjected to, then it's an intense disquisition on metaphysics or an account of the depthless, pathless gloom pervading the poet’s soul. Why do people, especially young people, feel obliged to come over all high-minded when they’re writing poetry? Homer didn’t, Virgil didn’t, Dante didn’t, at least not all the time, and as for Shakespeare, his mind was stuck in a holding pattern at crotch level. I suppose it was the Romantics who gave people the excuse, especially Wordsworth and that damned scoundrel Keats. Because it is an excuse, you know; it’s far easier to make rhythms and rhymes out of vague but emotive phrases and high-sounding but meaningless sentiments than it is to write a poem about a house, or a pair of knickers, or a visit to the dentist. I wish more people would write poems about verandas and dental cement and gussets. Especially gussets. I’d read it, especially if they put a scratch-'n'-sniff panel in the margin.

       The poems presented weren’t all bad, I’m happy to say. An elderly chap called Chris (I’ve known him for years but we’ve never yet gotten on last-name terms with each other) read, or rather performed, a couple of his poems. Apparently he was discovered years ago by Ra in Canada, rapping his stanzas to an audience of trade unionists. This sounds entirely in character; Chris is a performance poet. His lines, though reasonably well crafted and often good enough to make you sit up and take notice, wouldn’t be particularly remarkable on the page; it’s the presentation that does it. Kudos to him, all the same; his two poems, half-sung, half-recited, earned the loudest applause of the day. He deserved it, too.

       There was some other goodish stuff. Brandi offered us a piece, Byronesque in conception if not in craft, about a young woman being deflowered by a viper. I had to suppress a few involuntary giggles during the torrid bits, and as usual he ruined line after potentially first-rate line with grammatical crappiness, loutish word choice or just plain bad taste, but at least the topic was welcome for being unexpected, if not exactly original. It’s a pity Brandi’s craft and taste aren’t up to the quality of his imagination – but those are curable faults. Only I wish he’d hurry up and cure them. Of course, good taste isn’t exactly the point of Brandi’s stuff. I was disappointed, though, when the snake ended up using his tail to do the dirty deed. Surely any self-respecting reptile ravisher goes in head-first?

       Then there was Indi, everybody’s favourite enfant terrible, who read out a typically thoughtful and well-crafted piece of prose. Sadly, I don’t remember any of it, or even what it was about, which is rather unfair to him. My mind may have been elsewhere at the time, probably on my own poem, which I was preparing to read as soon as he stepped down.

       Before I could do so, however, I found myself barged aside by an earnest young fellow who had read twice already, and would end up reading more than anyone else that day – a series of deep meditations and soulful laments for his own sorry life and hapless condition. I have never met anyone so keen to share his pain with others as this chap was; the gloom was absolutely unremitting. At one point he even had the cheek to read us a poem explaining why all his other poems were so full of misery. His antics were so tedious and exhausting they amounted to an imposition upon us, which is why I feel justified in offering him the following unsolicited criticism: remember the boy who cried wolf, kid. And if you can’t write about anything but your miserable self, quit writing, because you aren’t very interesting.

       About my own offering, it's worth mentioning only that it was one-time affair. It will never be published, nor even read again if I can help it. Not because I think it’s bad – though it didn't go down especially well at the reading – but because in it I poke fun at matters deep and sacred to the heart of a very close, very large and very heavily muscled friend of mine. Out of respect for his feelings, and my skin, I shall say no more.

       Even though I wasn’t feeling very well that Saturday, I must say I enjoyed myself at the STBDPS. It’s good to know there are so many people out there who are serious about writing poetry; and if they don’t all end up becoming real poets, well, them’s the breaks. By their very presence they raise the game for others, and that, too, is a service to the Muse. Besides, 'tis better to have rhymed and wrecked than never to have rhymed at all.

Technology vs. Freedom

An article in the Calgary Herald reports that the city of Leon in Mexico has just embarked on a project that will use iris-scanning technology manufactured by Global Rainmakers, a US company, to identify citizens and make it possible to collect and store data about their activities. The data will be used by the local authorities for a variety of purposes, including, natch, policing and security. According to the company web site,

the partnership will utilize iris biometrics... as the base of the security for all aspects of day-to-day life for Leon’s 1.2 million citizens. Portoss will integrate iris capability across the city, install miles of fiber optic cable and construct the central iris database with power to enlarge the scale to include private sector corporations for a variety of applications.

The Herald article explains how it's done:

When the... residents of Leon go to the bank, get on a bus or walk into a medical clinic, their eyes will be scanned by machines that can handle up to 50 people per minute in motion, automatically entering the information (about where they've been and what they've done) into a central database monitored by the police.

 This sort of thing instantly evokes thoughts of Big Brother watching us. And of course, Big Brother, or someone with an internet link to him, is watching us already; consider the recent case of the British woman who got caught on a private security camera while stuffing a cat into a dustbin. The fact is, technology now makes it easy for those with an interest in keeping tabs on us to do so, and it's getting easier all the time. It's also getting cheaper, and the combination is going to make routine surveillance and data-gathering on members of the public more widespread.

I don't see how the trend can be halted. It isn't just biometric scanners and security cameras; the technologies of surveillance, data-gathering and data-mining are forging ahead on all fronts, and the infrastructure to support them is growing ever more pervasive. And most of it is happening with our explicit or tacit consent. We willingly give up the information in exchange for the goodies and conveniences we obtain thereby.

In all of this, the Great Enabler is, of course, the internet – to which, we are told, not only our computers and workplaces and mobile phones, but also our cars, homes, TVs, refrigerators, air conditioneers and even our clothes will soon be connected. Over five billion devices are already hooked up to the internet; by 2020, say the pundits, the internet of things will have over 22 billion active nodes, all busily uploading information about their owners.

And that's scary. It's bad enough in rich, sophisticated democraies, where concepts of civil society and civic freedom are embedded into the social fabric and governments (or corporations) have to get public approval before they can go ahead with things like this. But Mexico, where Global Rainmakers is wiring up a city with iris scanners, wasn't, last time I looked, a particularly rich country. If a city in Mexico can afford this kind of technology, a city in China probably can, too; and the Chinese authorities don't have to ask anyone's permission before introducing measures like this. Neither do the governments of places like Singapore, Syria, Myanmar and, of course, dear old Sri Lanka.

Of course, there are questions of capacity and competence that arise, too; the Burmese and the Sri Lankans may be able to instal the technology, but that doesn't mean they'll be able to use it effectively. Cerrtainly, the bungling efforts of the Sri Lankan authorities to 'regulate' mobile phones and the internet are no threat to anyone – not yet, anyway. But this is cold comfort for those of us who have seen at first hand how much damage incompetent but dictatorial governments can do by abusing the resources at their disposal.

Breeding Stupidity

What is the average Sri Lankan IQ? Two recent global studies of the relationship between IQ and other important national statistics (popular religiosity and national disease burden) both include Sri Lanka among the countries studied. Naturally, both studies give a figure for mean national IQ. I confess I don’t know how far we should trust these figures, but I don’t see any reason for discounting them altogether.

IQ is, I know, a controversial statistic. There is massive disagreement about whether it is a fair measure of intelligence or whether, indeed, it measures anything at all. Its origin in eugenics makes it suspect – and scandalously, black people tend to do worse on IQ tests than whites. Less scandalously (since they didn’t invent the tests), East Asians do better than either. All this is worth remembering, yet there is no other measure of general intelligence that works as well as IQ, and it correlates to other measures of intelligence too. Perhaps intelligence cannot be measured at all; yet IQ tests certainly measure something like intelligence.

With all these caveats in hand, then, what do the statistics tell us? The IQ-vs.-religiosity study uses data from a famous and controversial book, IQ and the Wealth of Nations, and it puts the average Sri Lankan IQ at 81.

This is pretty shocking. However, it’s probably an extension of the figure for India, which is the kind of thing the authors of that book did quite a bit of. The more recent Economist study gives figures of 82 for India and – more shockingly yet – 79 for Sri Lanka. This puts Sri Lanka on par with Nepal as the lowest-IQ countries in the non-black world.

Sadly, this doesn’t surprise me. The Sri Lankan environment actively selects for - that is to say, breeds - stupidity. Here's how.

• Because life here is nearly unbearable for an intelligent person, and prospects are so poor, the brightest Sri Lankans of every generation emigrate, taking their genes (IQ, like intelligence itself, is strongly heritable) out of the pool. This has been happening without pause since a few years before Independence – a matter of three generations now.

• The society they leave behind is one that has evolved to nurture and celebrate stupidity, while intelligence and originality are penalized at every turn. Tradition, religion and caste all load the dice against independent thinking and creativity; you can’t even record a new version of the National Anthem without being accused of disrespect to the nation. So intelligent people prosper less than stupid conformists, have fewer children and perpetuate their genes less.
  

• Arranged marriage, which works against the natural tendency of intelligent people to marry one another and produce intelligent offspring, is widely practised.

In fairness, it must be said that other South Asian countries are not a great deal better than Sri Lanka when it comes to average national IQ. This does not surprise me: the same driving-away of the most intelligent in every generation, the same coddling of stupidity through religion, caste and ‘the way we do things here’, is as evident in these countries as in Sri Lanka. India, of course, is changing fast. But will Sri Lanka? From a Ceylonese perspective, the prospect doesn’t look good.

Map source

Religion: Addictive Drug, Social Poison

Evolutionary Psychology, an online magazine that publishes new research in the field (not always peer-reviewed) features a report on a fascinating study, snappily titled 'The Chronic Dependence of Popular Religiosity on Dysfunctional Psychosociological Conditions'. If the title doesn't put you off, you may find it makes interesting reading. 'Nationalists' and others who think that what Sri Lankan society needs is a dose of that good old-time religion may be in for a shock, though:

Conservative religious ideology apparently contributes to societal dysfunction... The antagonistic relationship between better socioeconomic conditions and intense popular faith may prevent the existence of nations that combine the two factors.

As a bonus for trend-watchers, the study findings also explain why, as Sri Lankan society disintegrates, publicly-professed concern with 'insults to religion' has become ever more frequent and more ridiculous. Read it and tell me what you think.

Early Aviation Images

My friend Longoff has put together a wonderfully nostalgic collection of early Ceylonese aviation photographs and trivia on Picasa, which you can look at by clicking on the picture below. They include such gems as a Chance-Vought Corsair fighter-bomber being towed to its hardstanding by an elephant, pictures of old Air Ceylon timetables and in-flight menus and some fantastic images of the RAF base at China Bay, later inherited by the Sri Lanka Air Force, where the rotting carcass of a Fairey Fulmar used to greet Air Ceylon internal flights from Colombo at the end of the runway back in the 1960s.

Early aviation in Sri Lanka

The photo of a gang of indentured native labourers building the runway at Katukurunda aerodrome tells a less agreeable tale of Ceylon, but one that was always an inseparable part of the experience. Lest anyone think Sri Lanka superior to the land of my birth in even this sorry respect, let's not forget that, right now, gangs of Chinese convicts under the supervision of Chinese warders are hard at work in the South, building the government's vanity projects for it. Meanwhile, some surveys of youth unemployment in Sri Lanka put the figure as high as fifty percent. Yes, you read that right.

Call Someplace Paradise, Kiss it Goodbye

Once upon a time, there was a country called Ceylon. It was a quiet, rather sleepy place that did not covet greatness: a former British colony, a little backward in some ways, perhaps, but civilized and decent. Its climate was felicitous, its scenery of legendary beauty, its people known for their simplicity and friendliness to strangers.

The cultures and customs of Ceylon were fascinatingly polymorphous and its faiths multifarious, ecumencial and syncretistic, for many different races called the country home. Walking through the streets and bazaars of its capital, you might hear a half-dozen different languages spoken in the space of ten minutes, and see twice as many different styles of costume on the backs of passers-by. This multiplicity of races and faiths did not always live in amity, but life was largely peaceful for all that. Garden walls were low, gates were left open and front doors ajar. The children of all races played together in the streets.

Ceylon ceased to exist in 1972. It was superseded by a new country, Sri Lanka. Unlike Ceylon, Sri Lanka has not been mostly peaceful: it has been at war against sections of its own populace for nearly all its history. That history is a sorry account of expropriation, ethnic oppression and cleansing-by-stealth, war, revolt and separatism; its successive governments have been noted mainly for their violence, corruption, incompetence and malfeasance, their gradual erosion of the rights and opportunities of those whose lives were in their trust, and their reluctance to leave office when their time was up.

Like every other Ceylonese, I became a citizen of Sri Lanka on 22 May 1972. I am, I believe, a reasonably good citizen. I pay my taxes, obey the laws and do my civic duty as I see it. I am no revolutionary, neither do I think it possible to resurrect the past.

Yet I am not - and will never be - Sri Lankan in my heart. I am a Ceylonese for ever. The tourist brochures call Sri Lanka Paradise, but the real paradise was always Ceylon. The fate of my motherland bears out the the lesson the singer sang, long before he sang it:

Call someplace Paradise, kiss it goodbye.