A literary bestiary. The Classical monsters, from Kronos to the satyrs, are well represented. So are the cobbled-together cacozens of the Middle Ages, part this, part that and part the other: plausible as heraldic images, impossible to picture as living, breathing beasts. But Borges, in this short book, also brings us a haul of imaginary creatures from China, Latin America, the Malay Archipelago and just about everywhere else. Now and then we find among the specimens something genuinely exotic, like the Simurgh of Sufi fable or the Celestial Stag believed in by Chinese miners. Other beasts here were first imagined by famous modern authors: Kafka and C.S. Lewis each features more than once, and Kafka’s Oradrek is by far the most lovable monster in the book. Going in the other direction, readers of Gene Wolfe’s Book of the New Sun will discover in this bestiary a Talos and a Baldanders – though on reading the entries for these beings, they are likely to find themselves more mystified than ever.
Although the subject-matter of the book harmonizes perfectly with Borges’s oeuvre, The Book of Imaginary Beings is too heavily in debt to its sources to give us much of the pure, the veritable elixir. Only two of the beings featured in it appear to me at all Borgesian. The Á Bao A Qu, an allegedly Malay monster (it sounds Chinese to me) could, in its aspect, character and setting, have sprung fully formed from the brow of the master, while The Sow in Shackles, who terrifies Argentinean peasants by tightrope-running along the telegraph-wires at night, rattling her eponymous chains, partakes of the Latin American magical realism of which Borges was a forerunner. She could have been imagined by Gabriel Garcia Marquez, but she wasn’t. Yet for me, the most hauntingly Borgesian piece here is the one describing the fauna of mirrors, which speaks fascinatingly but obliquely about that mysteriously visible but strangely inaccessible world.
Sadly, many of the entities described – such as dragons, unicorns, or the Phoenix – are too familiar to be really interesting to us. The author does his best to find exotic traits and tall tales attributed to them in obscure and often dubious authorities, but this only partly ameliorates the tedium of over-familiarity.
I don’t know who would love this book. Bestiaries aren’t as unfashionable in our day and age as you might think; consider, for example, Monster Wiki and the character menus of RPGs. But film and video monsters come ready-made; the hard work of picturing imaginary creatures has already been done for us – and done breathtakingly well, by experts. This bestiary doesn’t have a single picture in it.
Any work of this genre is ultimately a series of index entries lacking either plot, narrative or theme: an assortment, a farrago, a grab-bag filled with unfamiliar but not necessarily delightful treats. Most twenty-first century readers would be bored and mystified after a few pages. In the end, as with certain other works of Borges – ‘Tlön, Uqbar, Orbis Tertius’, for instance, or ‘Funes the Memorious’ – the appeal seems to be mainly to hopeless bookworms and literary trainspotters, the kind of people who are fascinated by old books and long-dead writers. I am one of those people, but I am sorry to say that I found The Book of Imaginary Beings only intermittently fascinating.
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